After watching an acting troupe put on a production
involving a vengeful murder, Hamlet is greatly moved. He sees the passion that
the actors have in a situation that is not actually real, and he realizes that
he needs to be acting with much more vigor. After observing the play, he says
to himself, “Tears in his eyes, distraction in his aspect,/ A broken voice, and
his whole function suiting/ With forms to his conceit – and all for nothing!”
(II.ii.582-4). The actor is demonstrating such emotion and action, and he is
only acting. Hamlet, on the other hand, has real reason to be angry and
vengeful. He almost feels as if he has insulted his father. He should be
jumping to action since his father has been so greatly wronged, yet he has been
a “dull and muddy-mettled rascal” (II.ii.594). Hamlet vows at this point to
take action and to follow through with the plan outlined by the ghost of his
father. This could potentially be a major turning point in this play. Before
now, Hamlet has been solely mourning the death of his father. He has been angry
at his mother and his uncle, but he has not fully expressed this anger. Now, he
is ready to take his revenge. No one will doubt the fire that is stirring
within him, and his uncle should be ready for a battle.
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