The Tempest by
William Shakespeare falls under the category of a Shakespearean comedy, and
naturally, it is pretty compliant with the standard structure of such a play.
Prospero, the former Duke of Milan, receives the title of the comic individual.
As the audience learns in Act 1, Scene 2, Prospero has been stuck on this
island in the middle of the sea for twelve years after being stripped of his
dukedom by his own brother, Antonio. However, this is not to say that Prospero’s
loss of power is due to solely his brother. In true Shakespearean comic
individual fashion, Prospero is a victim of his own acts. While ruling over
Milan, he became entranced by his library, unable to pull himself away to
actually govern. This governing duty then fell upon his brother. With Prospero
wrapped up in his reading, Antonio, for all intents and purposes, was the Duke
of Milan; he only lacked the official title. With Prospero tossing aside his
responsibilities, it was only natural for Antonio to seize power officially.
Obsession got the best of Prospero and led him to this island, making Prospero The Tempest’s comic individual.
In
keeping with the structure of a Shakespearean comedy, The Tempest ends happily. All the controversy and confusion is
finally cleared up. Prospero, the comic individual, finally reveals himself to
the shipwrecked. All are surprised to
see that he is alive after all of these years. Along with revealing himself,
Prospero reveals to Alonso, the king of Naples, that his son Ferdinand is still
alive and has fallen in love with Miranda, Prospero’s daughter. As if the web
was not tangled enough, Alonso decides to put Prospero back in power in Milan,
dethroning Antonio. In this same span of Act 5, Prospero relinquishes his
magical powers, preparing to return to his rightful place as Duke of Milan. All
of these events are happening in succession, truly creating a grand finale. The
comic individual is restored to his initial position, disguises are stripped
away, and the love story reaches its culmination, all the great attributes of a
Shakespearean comedy ending.
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